TUTANKHAMUN'S OLIVE LEAVES 1: THE FUNERARY BOUQUETS

Olives are not native to Egypt, and it may come as a surprise that olive leaves were found in bouquets and wreaths in the tomb of the 'boy Pharaoh', Tutankhamun. In fact, olives have been cultivated in Egypt since around 1500 B.C. By about 1327 B. C., the date of Tutankhamun's burial, they were being cultivated quite widely, in private gardens as well as in the gardens of temples and mortuaries, where they provided oil for religious ritual and burial ceremonies. 



In November 1922 Howard Carter began his famous excavation of Tutankhamun's tomb. The excitement the excavators felt can be seen in the words of Carter himself. When he reached the north wall of the Antechamber, which he had found to be filled with tomb furniture, and came to a sealed doorway, "...visions of chamber after chamber, each crowded with objects like the ones we had seen, passed through our minds and left us gasping for breath".

The following photographs were taken by Harry Burton, the official photographer for the expedition, and published here with the permission of the Griffith Institute, University of Oxford.

Burton Photo. No. P0016

Photo copyright: Griffith Institute, University of Oxford

The sealed doorway led to the Burial Chamber, and in front of the doorway stood two life-sized guardian statues of the king, a magnificent painted chest, and funerary bouquets (one, marked 17 can be seen in the above image) which were composed of leaves of olive and persea (a member of the laurel family) tied to reeds. The bouquet shown here was found propped against the wall next to one of the guardian statues.

Photo copyright: Griffith Institute, University of Oxford

This fascinating second image clearly shows how reeds formed long handles for the bouquet, and the framework that held the olive and persea stems in place. We can imagine these tall bouquets being carried in the funeral procession, brought into the tomb and left there when the door to the Burial Chamber was sealed.

The original description of the bouquet on a card held by the Griffith Institute reads in part:

Position: Standing erect, against wall to right of doorway. 19 up from bottom, unbound brach (sic) ends, about 10 of them. Rest of handle above this bound round tightly with leaves applied singly. They were held in place by a binding of reed strip, now almost entirely disappeared. Above a triangular frame of reed stalk. Above apparently branches were loose. About 60 wide at widest point above. Width of triangular frame 34. Diam. of handle about 6......Sprayed with a solution of celluloid in acetone.

I imagine that these measurements are metric; with the unbound branch ends measuring 19 cm. from the bottom, it must have been a large and imposing bouquet. I don't know how well the celluloid in acetone would have preserved the  bouquets, or whether indeed the bouquets still exist. But it is wonderful to see these photographs from the original excavations, and to read the archaeologist's description, and I am grateful to the Griffith Institute for granting me permission to publish them here.

ROMAN RELISH - A RECIPE FROM CATO THE ELDER



It was about 160 B.C. when the Roman statesman Marcus Porcius Cato wrote De Agricultura, a detailed manual on how to run a Roman farm. His advice not only makes fascinating reading, but much of it still holds good today.

The importance to the Romans of olives and their products can be seen in the attention Cato gives to olive cultivation and processing, and those sections contain much that is of interest to olive growers and oil producers today. For example, he advises on  how to plant the trees, when and how to fertilise them, which olives make the best oil, and, among other things, how to build an olive press.

For the cook he provides olive recipes: how to preserve green olives and how to make a green, black or mixed olive relish. Here is his recipe for olive relish:

Green, black or mixed olive relish to be made thus. Remove stones from green, black or mixed olives, then prepare as follows: chop them and add oil, vinegar, coriander, cumin, fennel, rue, mint. Put in a preserving-jar: the oil should cover them. Ready to use. (De Agricultura 117-119)



I made Cato's olive relish yesterday. The only green olives I could find had the stones in them, but luckily, after much searching through the kitchen drawers, I found my cherry/olive pitter, and got through the olives quite quickly. I used:

100 grams each of green and black olives (I sliced rather than chopped them)
1 tbsp red wine vinegar
1 tbsp olive oil
1 scant tbsp roughly chopped fennel fronds (next time I might use the crisp white bulbous base of the fennel )
1 tbsp roughly chopped coriander
1 tbsp roughly chopped mint
1/2 tsp cumin

I didn't cover the relish with oil as Cato instructs; the tablespoon I used was plenty. I couldn't find rue; but I remember that I had grown some in a garden in another city, and thought it had a rather bitter taste. Also, I didn't know whether the Romans might have used fresh cumin; again that was impossible to find (I didn't even try), so I used just a tiny bit of ground cumin seeds. Actually for our tastes I think this could have been left out, or perhaps sauteed in a little olive oil first.

I served it last night on (rather large) pieces of salmon which I first drizzled with olive oil, then placed three thin slices of lemon on each piece of fish and sealed them in baking paper parcels. I cooked them at 200 degrees for about 20 minutes. I served the salmon with the relish scattered over the top together with the olive oil and fish 'sauce' from under the salmon, and a salad of baby spinach leaves and rocket. It was absolutely delicious, especially with a glass of Angel Cove sauvignon blanc from New Zealand!

LATE SUMMER: ROSES, FIGS, TOMATOES, GREEN OLIVES AND LONG MORNING SHADOWS

the last roses

four figs on a yellow tray

tomatoes in a Chinese bowl

green olives

and long early morning shadows on the oval

AN OLIVE HARVEST IN PROVENCE: PICKING THE OLIVES BY HAND

Carol Drinkwater , the actress who is best-known for her role as James Herriot's wife in the much-loved BBC series All Creatures Great and Small, has written a delightful series of memoirs of her life on an olive farm in Provence.  In the first of these books, titled The Olive Farm, she presents an interesting historical background to the olive, discovers that olive trees, seemingly so strong and ageless, are prone to disease, and describes the excitement of her first olive harvest and the processing of the olives into "a glorious primrose-gold oil". 

"At long last", she writes, "the moment has arrived. We are about to begin our very first harvest: la cuillette des olives". The harvesters, five men and one woman, begin work, slowly and carefully picking the olives by hand. Carol and her husband Michel, banished as amateurs to a far corner of the olive grove by their friend and mentor Rene, soon discover that this can be back-breaking work: Rene will not allow them to use rakes, every olive has to be picked singly. There is quite an element of danger, too, from picking olives while standing on ladders which often seem to be on the verge of toppling, or from climbing the trees and sitting precariously among the high branches. But she writes that all this was soon forgotten as they experienced the thrill of taking their olives to a local mill and having the first taste of their own extra-virgin olive oil.

It's a pleasure to read this book; the reader not only makes the acquaintance of a charming couple and their life in Provence, but also learns something of the history of the olive, the art of olive growing, and, ultimately, the production of extra-virgin olive oil.

You can read about the other books in the series here.
With thanks to Carol for permission to use the cover image of her book.

HARVESTING THE OLIVES

Attic black-figure amphora attributed to the Antimenes Painter
520BC.  h. 16" (40cm.)

© Trustees of the British Museum



Today the ways in which olives are harvested range all the way from careful, highly labour-intensive hand-picking to the use of huge mechanical harvesters.

This scene from an Attic amphora shows how the Athenians harvested their olives in the sixth century BC. The painter has depicted four harvesters: two youths and two bearded older men. One youth sits high in the central tree, beating the branches with a stick; another young boy kneels on the ground as he collects the fallen olives and puts them in a basket. The two older men, holding long sticks for knocking the olives from the tree, seem to keep a close watch on  the two younger men; olives that are knocked like this can be damaged, and in particular the man on the right may be watching how carefully the boy sorts and selects the harvest.

These large and beautifully decorated  amphoras, containing the finest oil, were often presented as prizes at the Panathenaic Games. From the olive harvest scene here, it seems likely that this vessel would have served such a purpose.
 
You can read more about this amphora here, on the website of the British Museum.

OLIVE TREES AS ORNAMENTALS

ORIENTAL INFLUENCE

Olives trained as 'clouds'. Known as niwaki, this form of topiary is a Japanese technique, used for bonsai as well as full-sized trees. You can read about it here.

I took this photo at Heyne's Garden Centre, Beulah Park, South Australia.

OLIVE AS A STREET TREE

This may be a feral tree, there are lots in this area of Adelaide. Or perhaps someone planted it; either way, the Council left it alone and it has grown into a beautiful tree which really enhances the street.

When we first moved here, an Italian family would visit each year to harvest the olives from this tree (olives from feral trees are small but delicious to eat; you can buy them in the markets here).

MEDITERRANEAN INFLUENCE IN AN ADELAIDE GARDEN

Three young Corregiola olives in terra cotta pots. Corregiolas are grown for their oil, but, only having these three trees, we have found that they make fine table olives. It's lovely to be able to pick and preserve our own olives!

A HOT SUMMER IN THE GARDEN

Parsley flowerheads

hibiscus 



Eggplants coming along

and so are the chillies, although they're drooping in the heat

this gum tree is shedding its bark

summer and sunflowers go together

baby crabapples - they'll be ripe in the autumn

And I have to say that it's so hot here at the moment that I would welcome a bit of autumn!

Welcome!



Feral olive tree on a South Australian sheep property - one of many - the owners collect the olives and produce their own olive oil.



Welcome to the Olive Garden. This blog will be about olives and their oil and the history of olives, but will also be about other things that interest me: books, gardening, cooking (especially with olive oil), health, yoga, embroidery. I live in Adelaide, South Australia, which with its Mediterranean climate is the perfect environment for growing olives and fruit and vegetables and flowers.

My interest in olives stems from my time at university, where I worked on a PhD thesis titled The Olive Oil Industry in Greek Antiquity, and although I didn't finish the thesis, I have retained this interest over the years. Now of course olive oil is the subject of much attention, and here in South Australia there are numbers of professional olive growers and producers of olive oil; not only do olive trees grow in gardens but feral olives abound in the local hills areas, to the disgust of land owners. Olives are hard to get rid of!

Books - I have recently bought a Kindle; it's been interesting, most people have said "Oh, but I love the feel of a book". I do too, but the Kindle is incredibly convenient; imagine going on holiday with as many books as you like, all in one convenient package! I'm currently reading one of the many downloadable free Classics, Middlemarch, on it, and seem to  concentrate better somehow - but that might be imagination.